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Groundwork: Inviting the Shadow to Tea December 30, 2023 13:21

White teacup in shadow. The reflection of the handle creates a heart shaped image

If you prefer to listen to this month's offering, please click HERE for the audio link.

I’m currently reading a book by Rob Preece. He’s a Tibetan Buddhist as well as a therapist (with Jungian leanings). Preparing for Tantra focuses on Buddhist preliminary practices, but he frames them through the lens of a Western perspective. I’m enjoying his book very much, and it is helping me prepare for Sravasti Abbey’s Retreat from Afar starting in January.

One of the major points that Preece emphasizes in this book is the importance of shadow work. He defines the term Shadow as “aspects of human nature that are repressed and held in the unconscious.” According to Preece, acknowledging and integrating the Shadow can be synonymous with groundwork.

In Buddhism, groundwork, or preliminary practices, can be connected to (but not limited to) mantra recitations, prostrations, and water bowl offerings. These rituals prepare the body, speech, and mind for more advanced meditation practices and study.

However, this idea of connecting groundwork to facing one’s Shadow fascinates me. For years, I would joke that I must have gotten turned around and lost in the Bardo and wound up with the wrong family in this lifetime. After reading this book, I no longer believe that.

Shadow memories and dark times have been bubbling to the surface for me recently, which is not unusual given the time of year. Winter is often the season for reflection for many people.

I wasn’t a practicing Buddhist as a kid, but I did grow up with challenging circumstances. I grew up in a home with a severely mentally ill parent. My mother had been diagnosed with many labels and had been prescribed many more combinations of psychiatric meds over the course of her adult life, but through the changing diagnoses and medications, she consistently remained incredibly unmotivated and self-absorbed. She often used her illness as an excuse to not do anything or go anywhere. She also milked it for all it was worth to manipulate family members and to garner constant favors and requests. My stepdad was frequently going to the store for her after coming home from work because she was “too sick” to go herself—and she never went with him.

We all walked on eggshells around her. Her depression took the entire family hostage, and each of us handled the fallout in different ways.

My stepdad escaped through work; he worked long hours and took several business trips to Mexico and Japan during this time period.  My sister and I both took refuge in music; she played the piano, and I played the violin, but we didn’t play together. I also loved to read and enjoyed escaping to the safety of novels and biographies.

Unfortunately, my mother’s illness didn’t bring us together. Instead, it forced us apart. It also didn’t help that I was the odd duck in the family. I was the oldest, and a child from my mother’s previous marriage, so I never felt like I fit into this new family unit (not fitting in is a big part of my Shadow work).

I was bullied at home. My stepdad was extremely demanding and critical with me, and he could be quite condescending and emotionally cruel, especially when no one was around to witness his cruelty.

My sister and I were four years apart in age. Consequently, we attended different schools and had different circles of friends. When we were together, we often argued. She was my stepdad’s biological child (and darling), and he treated her differently—he was much kinder and more patient with her than he was with me.

Both of my parents were emotionally unavailable for me at this time, and I desperately needed loving, compassionate guidance. Unfortunately, I was often left to fend for myself—and honestly—I was a weird kid—awkward, shy, socially clumsy, and hopelessly insecure.

During this time, when I was attending junior high school, we lived in an apartment complex. Unfortunately, I wasn’t just bullied at home—I was also bullied at school, too, mainly at the bus stop and on the bus.

I loved school—it was my safe space—but I hated the ride there and back.

Every morning, I carried my books and violin to the bus stop at the front of the apartment complex. It was a large shelter framed with dark wooden fencing on three sides and a roof, and it was always packed with kids from the complex. Several kids smoked cigarettes in the crowded shelter, and there were some “stoners” who smoked marijuana. I had enough craziness going on in my life; I didn’t need that, so I waited for the bus by the main road, away from the shelter.

I stood outside, rain or shine, by myself. Several kids hooted and jeered at me every morning when I walked by. Some even made animal noises at me. I ignored them, but it was HARD! On the outside, I may have appeared unfazed by their daily taunts, which carried over on the bus ride to and from school—every day—for three years. On the inside, however, I was a mess—a hollow, confused, traumatized mess.

I stood up (and out) by staying quiet, minding my own business, and enduring the daily barrage of ridiculous taunts.

I didn’t know it at the time, but upon reflection, this was my groundwork. This was a significant preliminary practice for me. I was not in a good place physically or emotionally during these junior high years. I did not feel safe, and I was not understood, adequately cared for, or appreciated. These were very hard times—for me and for my family.

Fortunately, things improved when I attended high school (and we moved out of the apartment complex). I got a job at a nearby Dairy Queen, not far from our new house. Between work and school, I didn’t have much time to spend at home, so the bullying subsided there, too.

****

These painful experiences helped me tremendously and led me to discover Buddhism. They helped me develop empathy and compassion for others, especially after I graduated from college and started my teaching career.

I knew what it felt like to be excluded, so I went out of my way to ensure that my students’ voices were heard and acknowledged. I never taught a class without including journal writings. It was a great way for them to practice their writing skills, and to express their thoughts and feelings.

Groundwork is the foundation from which everything else grows. It is dark soil, rich with rocky potential that requires hard work, patience, and dedication.

When I think about these early years, I realize how far I’ve come and how much I’ve grown, despite how much I suffered. I was traveling on the path before I even knew the path existed.

These dark, awkward times motivated me to continue to read, study, and learn. They taught me the importance of kindness, generosity, empathy, compassion, and joy. They inspired me to embrace connection and understand the importance of interdependence.

This groundwork encouraged me not only to keep going, despite the hardship and loneliness, but it also encouraged me to surround myself with others who were ethical, supportive, and kind.

This groundwork encouraged me to be observant and mindful—to set healthy boundaries—and to communicate clearly about what is OK and what is not.

My life is far from perfect. I continue to falter and make ridiculously stupid mistakes. The good news is, I have a loving family, I feel safe in my home, I have supportive, warm-hearted friends, and I have a meaningful Dharma practice to rely on daily.

I enjoy reading books like Rob Preece’s, I enjoy listening to and attending Dharma talks, I enjoy making time to meditate, recite mantra, make offerings, and do prostrations.

Remembering the dark times helps me to appreciate all that I have now. Those junior high days seem like many lifetimes ago, but I wouldn’t be who I am now if I hadn’t endured those challenges and struggles.

I have invited my Shadow to tea with this blog post, and I realize now that I did not get turned around in the Bardo and wind up in the wrong family. I ended up exactly where I was supposed to be, and I worked hard to cultivate a meaningful life for myself and others. I continue to do that work even now.

We are all works in progress, we all suffer in samsara, and we are all on the path helping each other learn, grow, and thrive, whether we realize it or not.

I hope 2024 treats you well. May you continue to learn, grow, practice, and thrive in the coming New Year. Please visit the current Middle Moon Malas online collection of hand-knotted malas. May they support and inspire your own personal practice. Know that you are always welcome to reach out via the Contact Us page for custom design requests as well.

Thanks for taking the time to read or listen to this month’s offering. Happy New Year!

 

Warmly,

 

Teresa

.Photo Credit: Luca N from Unsplash

 

 

    

 

 


Finding Resonance with Your Practice: Easing into the New Year January 31, 2023 19:01

snowy morning offerings on outdoor altar space. Snow covered Buddha holds birdseed

If you prefer to listen to this month's blog article, click here for the audio link. 

 

It's hard to top last month's blog post about a life-changing trip to India, so I'm going to keep things simple and easy this month.

January, with it's cold temperatures and snowy conditions, has brought many opportunities for practice, and I have gently leaned into all of them.

***

This month, I committed to beginning each morning by reciting the 21 Praises of Tara. Before reaching for my phone, before getting dressed--I turn on my bedside table light and chant these praises in English from a small booklet I received from an earlier retreat.

It takes just a few minutes, and it's an easy, peaceful way to begin the day.

Mornings are fairly hectic for me, especially on the days when I tutor. I'm scrambling to shower, dress, eat breakfast, make a lunch before leaving for school. However, taking five minutes to practice right when I wake up is totally doable.

Sometimes, Zora will join me. She'll jump up on the bed, stare at me with her big green eyes, and purr as I chant the stanzas to a simple melody.

I'm sensitive to music, and melodies stay with me for a while, even after the music has stopped, so all the Taras are with me as I'm making breakfast and pouring hot tea into a tumbler. They also ride with me in the car as I'm commuting to school, which is perfectly fine by me. I enjoy their company.

***

At the beginning of this month, my friend Kim invited me to participate in a ten-day meditation challenge through the Ten Percent Happier app. I'd heard about this challenge on Roshi Joan Halifax's Facebook page, and I'd listened to the Ten Percent Happier podcast with the interview with Dan Harris, who was the main host of this ten-day challenge, so saying yes to this challenge was a no-brainer.

I enjoyed the brief videos before each meditation session. Harris and Roshi Joan had traveled to Dharamshala to interview HHDL for this project, and seeing familiar sights where I had recently traveled with my Dharma friends was motivating and comforting. 

Roshi Joan led the meditations each day, which lasted for ten minutes. It was easy to make time for them--some of the sessions I was able to do at school between student sessions. This was a short-term commitment, and Kim and I encouraged each other to practice daily through the app.

***

Over the past few winters, I have committed to participating in Sravasti Abbey's Retreat from Afar. These retreats span the course of several months, and participants can choose how much time they wish to devote to the daily practices--anywhere from one to four months.

Personally, I like the four-month commitment. This year's retreat is a little different from previous retreats. The focus this year is on the Four Establishments of Mindfulness, which I have heard about, but I haven't delved into specific practices related to them.

For previous RFA retreats, I would listen to the teachings the nuns would post on YouTube and read the weekly articles they would share via email. I would practice the meditation or sadhana sessions on my own.

This year's format is more community-based. I've been looking forward to participating in their daily practice sessions on Zoom. They host two public sessions. Sometimes I catch the morning practice, and sometimes, I have to wait to practice during their evening sessions.

It's nice to have a couple of options, and I'm enjoying the structure, format, and melodies of the prayers. I'm also enjoying the guided analytic meditations and visualizations nestled between the sadhana prayers.

One of the things I like about these annual retreats is I don't have to leave home and abandon my work responsibilities. I also like that the nuns freely offer recorded teachings via YouTube. For this retreat, Ven. Sangye Khadro shared a series of twelve teachings related to the Four Establishments that she taught in 2021. She also recommended a book, The Four Foundations of Mindfulness in Plain English, by Bhante Gunaratana to supplement and support our daily practices.

While this opportunity requires more time and dedication than the ten-day  meditation challenge and month-long Tara recitations, it is interesting and engaging to me, and I am definitely reaping benefits from it.

I'm hoping to be able to visit Sravasti Abbey in person some day.

***  

 Since September's Chenrezig retreat led by Geshe Kunga at TMBCC in Bloomington, I have been practicing the Chenrezig sadhana on the daily at home. I read it aloud in Tibetan and in English. This practice, too, has become more comforting and familiar each time I recite it.

 I enjoy the melody shifts as I make my way through each section of the sadhana, and my fluency and pronunciation with the Tibetan language continues to improve slowly with this practice as well.

***

My days lately have become crowded with various practices, but they aren't burdensome have to's--they are sources of comfort, and they offer just enough structure to make me feel like I've accomplished something meaningful.

Some of these practices are temporary. The Retreat from Afar will end in April, and I have one more day of reciting the 21 Praises of Tara in the morning.

Each practice is an offering--a dedication, and, collectively, these practices dovetail and enhance each other. Most importantly, I've noticed that the more regularly I practice, the more benefits I notice when I'm not sitting on the cushion.

*I'm calmer and more relaxed. 

A couple of Sundays ago, the temperature was just low enough to turn wet streets slick and icy. I was driving in Bloomington early in the morning, and my brakes locked up as I was approaching a red light. I was able to glide over into the right lane to avoid the stopped car in front of me, and I continued to glide through the red light without getting hit--or freaking out.

*I don't plunge into spirals of worry and anxiety...as often :).

My husband and I were notified by a sub contractor for the power company that they were going to have to cut down 25 trees along our long driveway in order to replace a couple of old telephone poles. While this news was upsetting, I didn't freak out. My husband had a contact that proved to be invaluable--the name and number of the regional director of this power company. He called and explained the situation.

In the meantime, I did what I could--I reached out to my monk friends and asked if they would offer prayers for these vulnerable trees during their next puja ceremony. During my own visualizations during practice, I imagined miniature golden Shakyamuni Buddhas on every branch of these trees. These Buddhas dissolved into bright lights and traveled into their trunks all the way down into their root networks.

We received good news this afternoon--the trees would not need to be cut down, and the sub contractor that gave us the bad news initially would be removed from this project, replaced with someone with a little more respect for nature and compassion. 

Was it the phone call or the prayers and visualizations? Maybe all of the above. It doesn't matter--skillful action and dedicated practice paid off.

* I'm more open to exploring options and adventures.

Instead of sitting in the never-ending construction traffic on I-465 when driving home from school only to exit onto another major road that is also under construction, I explored several options, thanks to Google Maps, until I found a route that avoids major traffic, long waits at stop lights, and views blocked by semis and dump trucks.

I don't save much time with this scenic route, but I don't mind. I am able to keep moving at a safe, steady pace, I enjoy the view along the way, and when I arrive home, I am in a much calmer state of mind.

 

***

One of the biggest lessons that I've learned over the years is the importance of finding my way into my own personal practices.

What works for some of my Dharma and spiritual friends doesn't necessarily resonate with me, and what resonates with me, may not resonate with you....and that's OK. Practice is practice.

The important thing is to find what does resonate--and to make a commitment and some time for practice--every day, even if it's just for a few minutes. Sometimes it takes an open mind and an adventurous heart to find what works, but when you do, you'll know it because your life will begin to change...for the better.

 

I have added several beautiful malas and quarter malas to the online collection recently. Check it out, while you're here--and if a design resonates with you...you know what to do :).

See you next month--

 

Take care!

 

 

 

 

 

 


Bossa Nova Snowfall: Everyday Rhythms of Practice January 28, 2022 15:27

Maya watching snow falling through storm door in winter 

 If you prefer to listen to this month's blog post, please click here for the link.

I have "Waters of March" rolling around in my head (the Portuguese version). A friend of mine recently shared a Dust to Digital video of the duet with the composer, Antonio Carlos Jobim, and Elis Regina singing it in a studio in 1974.

I remember hearing this song as a kid, but I didn't think about the lyrics that much, mainly because I don't speak Portuguese. I remember my stepdad had a collection of jazz albums in the stereo console that he kept in the living room. This song was included in an album called Bossa Nova's Greatest Hits.

"Waters of March" is a happy melody, and now that we are lucky enough to have access to Google, I was able to search for the lyrics in English. It reads like a beautiful list poem, and the rhythms flow, like water from beginning to end:

A stick, a stone, it's the end of the road
It's the rest of a stump, it's a little alone
It's a sliver of glass, it is life, it's the sun
It is night, it is death, it's a trap, it's a gun
The oak when it blooms, a fox in the brush
A knot in the wood, the song of a thrush
The wood of the wind, a cliff, a fall
A scratch, a lump, it is nothing at all
It's the wind blowing free, it's the end of the slope
It's a beam, it's a void, it's a hunch, it's a hope
And the river bank talks of the waters of March
It's the end of the strain, it's the joy in your heart
The foot, the ground, the flesh and the bone
The beat of the road, a slingshot's stone
A fish, a flash, a silvery glow
A fight, a bet, the flange of a bow
The bed of the well, the end of the line
The dismay in the face, it's a loss, it's a find
A spear, a spike, a point, a nail
A drip, a drop, the end of the tale
A truckload of bricks in the soft morning light
The sound of a gun in the dead of the night
A mile, a must, a thrust, a bump,
It's a girl, it's a rhyme, it's a cold, it's the mumps
The plan of the house, the body in bed
And the car that got stuck, it's the mud, it's the mud
A float, a drift, a flight, a wing
A hawk, a quail, the promise of spring
And the river bank talks of the waters of March
It's the promise of life, it's the joy in your heart
A snake, a stick, it is John, it is Joe
It's a thorn on your hand and a cut in your toe
A point, a grain, a bee, a bite
A blink, a buzzard, a sudden stroke of night
A pin, a needle, a sting, a pain
A snail, a riddle, a wasp or a stain
A pass in the mountains, a horse and a mule
In the distance the shelves rode three shadows of blue
And the river bank talks of the waters of March
It's the promise of life in your heart, in your heart
A stick, a stone, the end of the road
The rest of a stump, a lonesome road
A sliver of glass, a life, the sun
A knife, a death, the end of the run
And the river bank talks of the waters of March
It's the end of all strain, it's the joy in your heart
Songwriters: Antonio Carlos Jobim / Jorge Calandrelli
Águas De Março lyrics © Corcovado Music Corp.
***

(if you're curious, listen to the recording in Portuguese here

In essence, it's a song about appreciating the present moment, no matter what's going on around you. It's about the ordinary, mundane images of daily life, and the inevitable journey towards death, just as the rains of March mark the end of a Brazilian summer.

 ***

This morning, Maya and I were sitting in front of the storm door watching snow fall.

It's a light, fluffy snow that collects on branches, sticks on the bricks of the walkway in loose, fat flakes.

It had already covered the morning offerings of birdseed and coated the face of our resin Buddha statue.

Cardinals, juncos, chickadees, and wrens hop and flit about. Their wings flutter, bodies in flight--and at rest.

The deliberate staccato rhythms of a pileated woodpecker echo from a nearby oak tree.

 I can hear the ticking of ductwork expanding and contracting with steady heat rising from the vent in the floor. It competes with the cold pressing against the glass door.

We moved to the living room a few minutes later. Maya is snoring on my lap, and Zora is perched on the back of the love seat. She has a close-up view of the falling snow from the French doors behind it.

Bare branches, light wind, swirling spiral patterns on sage green pillows.

The hum of the furnace, the ringing in my ears, the stiffness in my shoulder.

The soft touch of warm fur--orange and black--like those wooly caterpillars in late summer.

Silk lotus blossoms in a striped bowl, a silent grandmother clock.

Bare feet, cold floor, the rise and fall of soft bellies.

Snow flakes falling in straight lines.

Cream colored curtains, a plaid shirt, dried flecks of paint on navy sweat pants.

Abandoned spider silk between adjoining walls--temporary hypotenuse. 

Empty vase, copper bell, wooden elephants--share a dusty table with framed faces and photo albums.

The effortless acceptance of Now.

***

These observations don't rhyme, and they don't follow the unconventional cords, innovative syncopation, and jazzy rhythms of Bossa nova.

However, practice doesn't have to be formal. It doesn't even have to happen on a cushion, and it can occur at any moment.

Take a few moments today to notice what's happening around you, wherever you are. Without attachment, grasping, or commentary--just be present--observe, breathe, and be.

This, too, is practice.

***

I have added several malas and quarter malas to the online shop. Check out the current collection here. Middle Moon Malas serves to inspire meaningful practice and to support your motivation to lead a kind, compassionate, and mindful life.